A Timeline of Social Documentary Practice
1936 | ![]() Dorothea Lange, Nipomo, California, 1936 “My intent almost a half-century ago was to have the pictures tell their story; to augment that story with music that would not only be an accompaniment but also would evoke emotions related to the lives of the people concerned, and finally to write the fewest possible words, solely for explanation and clarity, and to have them as much as possible in time with the music.” — Pare Lorentz |
Walker Evans & James AgeeStay with sharecropper families in Hale County, Alabama, for three weeks on commission from Fortune magazine. Evans receives a temporary leave from his FSA job under the condition that the photographs become government property. Fortune rejects the article.Margaret Bourke-WhiteFirst photographer hired by Life Magazine, founded in 1936. Agrees to work with Erskine Caldwell on a book about the South, and begins photographing for the project in June.Dorothea LangeBegins major trips for the FSA, enlarging her scope to cover Arizona, Nevada, New Mexico, and Utah. Marries Paul Taylor.The Plow that Broke the Plains Photographed by Ralph Steiner, Paul Strand, Leo Hurwitz and Paul Ivano. |
1937 | ![]() 1937 Gold Seal Edition |
Allen H. EatonHandicrafts of the Southern HighlandsWith an Account of the Rural Handicraft Movement in the United States and Suggestions for the Wider Use of Handicrafts in Adult Education and in Recreation Features the photographs of Doris Ulmann, including many color plates. Margaret Bourke-White & Erskine CaldwellYou Have Seen Their FacesA tremendously successful photo-text combination which stimulates publishers to begin looking at publishing photo-documentary style books. Unlike Roll, Jordan, Roll, which used no captions at all, You Have Seen Their Faces features fabricated captions often including fictional dialogue. |
1938 | ![]() Horace Bristol, Rose of Sharon
![]() Allied News Photo from Land of the Free ![]() 1937 flood on the lower Mississippi from The River |
Horace BristolToured the Central Valley of California with John Steinbeck for a photo-text project which was later scrapped.The photographs were in casting the motion picture version of The Grapes of Wrath. Herman Clarence NixonForty Acres and Steel MulesUses Resettlement Administration [RA] photographs while retracting his earlier anti-industrial stance for Southern reconstruction. Archibald MacLeish Land of the Free The River Photographed by Stacy Woodard, Floyd Crosby, and Willard Van Dyke. |
1939 |
![]() First edition hardcover John SteinbeckThe Grapes of WrathArchibald MacLeish Appointed Librarian of Congress, a position he holds until 1944. |
Edwin RosskamWashington Nerve CenterSan Francisco: West Coast Metropolis First two books in the Face of America series. Rosskam joins the RA, renamed the Farm Security Administration [FSA] staff. Dorothea Lange & Paul TaylorAn American ExodusIn response to the contrived captioning and theatrical technique of You Have Seen Their Faces, Lange and Taylor create an ethnography of greater precision. Margaret Jarman HagoodMothers of the South: Portraiture of the White Tenant Farm WomanNot illustrated. "Through its scientific approach, Mothers of the South serves the research specialist, the social worker . . . On the other hand, through its clear, simple, nontechnical language . . . makes a definite appeal to the general reader" |
1940 | ![]() Title Page |
Oliver LaFargeAs Long as the Grass Shall GrowFace of America series, photographs by Helen Post edited by Edwin Rosskam. The series shifts from a geographic focus to instead focus on population groups. Sherwood AndersonHome TownFace of America series, photographs from the FSA selected by Edwin Rosskam. Rosskam edited the 60,000 word manuscript submitted by Anderson to 20,000 words. Presents an idyllic view of small town life in deep contrast to his earlier work. |
1941 | ![]() Walker Evans, Hale County Alabama, 1936 |
Richard Wright12 Million Black VoicesUses FSA photographs selected by Edwin Rosskam. The book triggered an FBI investigation of Wright for ties to the communist party. Walker Evans & James AgeeLet Us Now Praise Famous MenDismally unsuccessful when first published, this now iconic text of the depression sold only around 1,000 copies. It marked the end of this intense period of experimental photo texts. The first edition featured only 32 photographs, which was expanded to 64 when it it was reissued in 1960. |