A Timeline of Social Documentary Practice
1913 |
![]() William Butler Yeats from Men of Mark Arnold Genthe Old Chinatown A Book of Pictures An expanded edition of the Chinatown photos. Illustrates several other books for M. Kennerly from 1913-1916. |
Alvin Langdon Coburn Publishes Men of Mark in London. 33 portraits including Coburn himself, Ezra Pound, Thomas Hardy, Frank Harris, Edmund Dulac, Maurice Maeterlinck, Wyndham Lewis, Joseph Conrad with 23 pages of text. Republished in the US in 1922 by M. Kennerly Photography is the most modern of the arts, its development and practical usefulness extends back only into the memory of living men; in fact, it is more suited to the art requirements of this age of scientific achievement than any other. It is, however, only by comparing it with the older art of painting that we will get the full value of our argument plainly before us; and in doing so we shall find that the essential difference is not so much a mechanical one of brushes and pigments as compared with a lens and dry plates, but rather a mental one of a slow, gradual, usual building up, as compared with an instantaneous, concentrated mental impulse, followed by a longer period of fruition. Coburn, Camera Work, No. 36. Clarence H. White Begins publishing Platinum Print, "Designed to take a place between Camera Work and periodicals devoted to the less advanced photographer" |
1914 |
![]() Isadora Duncan by Arnold Genthe |
Arnold Genthe Hires Dorothea Lange Impressed by Genthe's photographs of Isadora Duncan, and applied for a job at his Fifth Avenue studio. She was the youngest of three women on the staff and worked as a receptionist, making proofs, spotting, retouching, and mounting prints. Genthe gave her her first camera and offered critical evaluation of her work for the next year or so. Lange quit teacher-training school. Clarence H. White School of Photography opens in Manhattan World War I Begins |
1916 |
![]() Clarence H. White, Girl with a bowl 1907 |
Clarence H. White Founds Pictorial Photographers of America (January) |
1919 |
![]() Sherwood AndersonA collection of tales of Midwestern small town life which influenced many subsequent writers, including William FaulknerBernarr MacFaddenBegins publishing True Story magazine |
Post-WWI Economic BoomClarence H. White Teaches "Printing and Photography Related" with Fredric Goudy: No more fitting association for exhibiting photography can be suggested than with printing, process-printing, advertizing and posters. . . .Let the plate engraver study the photographs together with the various processes and their effects. Let the photographer also study the reproductive processes and the various results obtained with different screens, inks, and papers. Through such a procedure . . . a closer relationship and understanding [will be] established between the artist, the plate engraver, and the public in general. Clarence H. White |
1921 | ![]() A later Survey Graphic infographic
![]() Pageant of America encyclopedia |
Commodity Price CrashWorsening the farm crisis evolving since 1918. Sigmund FreudA social work magazine for a popular audience. Pageant of AmericaEncyclopedia (1921-25) featuring the extensive use of photographs |
1924 |
“Very early it was realized that one of the conditions of successful social life for modern peoples was the understanding, the control, and the improvement of the uses of industrial forces.” American Economic Life |
Rexford Tugwell & Roy StrykerAmerican Economic LifeColumbia University textbook Clarence H. White "Photography as a Profession for Women" American Photography, vol. 18 n. 7 (July 1924) |
1925 |
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Becomes President of the United States, declaring a clear agenda. “The chief business of the American people is business. They are profoundly concerned with producing, buying, selling, investing and prospering in the world. I am strongly of opinion that the great majority of people will always find these are moving impulses of our life.” |
1926 |
![]() from Impressions of Old New Orleans |
Impressions of Old New Orleans "I venture to hope that the photographs shown on the following pages— a series of impressions of old New Orleans laying no claim to any completeness— may help strengthen the feeling of responsibility twoards the preservation of a most precious architectural heritage, which ought to be a matter of pride and concern to every American." —Arnold Genthe |
1927 | ![]() “Political facts are not outside human desires and judgment. Change men's estimate of the value of existing political agencies and forms, and the latter change more or less.” ![]() |
Dedicates Mt. Rushmore. However, the work on the monument was not completed until 1941. If a president had a body to match the head size, he would be 465 feet tall. The Public and its Problems Father Mississippi A typical, and yet anomalous book. It takes as its ostensible subject the Mississippi River, and yet it deeply explores the crisis of flooding in the delta in 1927. Illustrated with a wide variety of photographs from both local photographers and government agencies, mostly uncredited. A list of illustrations follows immediately after the table of contents. Saxon's book is partly folklore, and partly an empassioned plea for help. |
1928 | ![]() Doris Ulmann and Julia Peterkin ca. 1929-31 Fabulous New Orleans |
Julia PeterkinScarlet Sister MaryPulitzer Prize award, 1929 "Peterkin is a southern white woman, but she has the eye and the ear to see beauty and know truth." —W. E. B. Du Bois Doris Ulmannbegins photographing in the SouthElected President of the United States |
1929 |
![]() Margaret Bourke-White, Boston, 1929 |
Black FridayA stock market crash signals the depressionLeonard A. WilliamsIllustrative Photography in AdvertisingMargaret Bourke-WhitePhotographed a bank vault in Boston on October 29, during the crash.Old Louisiana |
1930 | ![]() Oliver LaFarge Lafitte, the Pirate |
Archibald MacLeish Joins the editorial board of Fortune. I'll Take My Stand A book by twelve Southern writers including Herman Clarence Nixon published. Oliver LaFargeLaughing Boy, a story of Native American life wins the Pulitzer Prize |
1931 | ![]() Margaret Bourke-White, Magnitogorsk, USSR, 1931 |
Walker EvansPhotographs Victorian homes in the Boston area. Develops his signature straightforward style. Shares a studio with Ben Shahn, who later contributed photographs to the FSA.Margaret Bourke-WhiteContinues photographing in Russia (her first trip was in 1930) and doing industrial assignments. Concern over the Soviet Union was high, because it's industrial production was climbing while the US was in decline. Continues photographing there until 1933. |
1932 | ![]() Franklin Roosevelt and a voter, 1930
![]() Erskine Caldwell Henri Cartier-BressonFirst New York exhibition at The Gallery Julian Levy |
Elected President of the United States “The money changers have fled from their high seats in the temple of our civilization. We may now restore that temple to the ancient truths. The measure of the restoration lies in the extent to which we apply social values more noble than mere monetary profit. “Happiness lies not in the mere possession of money; it lies in the joy of achievement, in the thrill of creative effort. The joy and moral stimulation of work no longer must be forgotten in the mad chase of evanescent profits. These dark days will be worth all they cost us if they teach us that our true destiny is not to be ministered unto but to minister to ourselves and to our fellow men.” Erskine CaldwellTobacco RoadArchibald MacLeish Awarded Pulitzer Prize for Conquistador Lewis HineMen at Work |
1933 | ![]() Doris Ulmann, from Roll, Jordan, Roll Agricultural Adjustment Act of 1933 Passed May 12, 1933 to provide subsidies to help farmers by paying them not to grow crops. Followed in June by the ![]() FDR during a fireside chat, 1933 |
Walker EvansFirst one-man show by a photographer at the Museum of Modern Art. The subject was Victorian Architecture of New England.Dorothea LangeBegins photographing the destitute in San Francisco, including White Angel BreadlineJulia Peterkin & Doris UlmannRoll, Jordan, RollHailed as one of the first books to depict African-Americans as people rather than stereotypes. Rexford TugwellAppointed Assistant Secretary of Agriculture. Brings Roy Stryker with him as photographic consultant. Stryker involved in an agricultural encyclopedia from 1933-35, which was never published. |
1934 | “I am of course glad to have people interested in my pictures as examples of the art of photography, but my great wish is that these human records shall serve some social purpose.” — Doris Ulmann ![]() Eudora Welty, 1935-6 “I decided if I couldn't make a movie, I would collect news photographs and do a picture book in the form of a newsreel with large captions at the top and concise news paragraphs alongside the big pictures.” — Pare Lorentz |
Doris UlmannDies while working on a project documenting handicrafts of the Southern highlands, leaving 2,000 plates undeveloped.Margaret Bourke-WhiteDocuments the Midwestern drought for Fortune, and works on a forerunner of Life magazine, Eyes on the World.Dorothea LangeBegins working with Paul Taylor, publishing "San Francisco and the General Strike" in Survey Graphic, September 1934.Eudora WeltyUpset at Ulmann's sentimental photographs for Roll, Jordan, Roll begins working on a book of her own, Black SaturdayWelty attempts to get it published for three years with no success. The Roosevelt Year a Photographic Record |
1935 |
![]() Dorothea Lange, San Francisco 1934 Henri Cartier-BressonExhibition with Walker Evans, Gallery Julian Levy |
Roy StrykerAppointed to the newly created Resettlement Administration as head of the Historical Division, of what was later called the FSA. Arthur Rothstein was the first photographer hired. Carl Mydans and Walker Evans soon followed.Dorothea LangeMade numerous trips in California documenting migrant workers with Paul Taylor. Was hired in late 1935, after Stryker saw her photos in Survey GraphicBen Shahn Moved to Washington DC in August 1935 to begin working with the Special Skills division of the Resettlement Administration. |